After the destination has been set, after the engines have cut off, as the computers go into hibernation, you are in the void, the vast nothing. Space is big, mind-bogglingly big its…. nothing to do but wait. Episode 128, The Float, is part two of a multi-episode journey from Earth to the beyond, featuring field recordings, miscellaneous NASA sounds, and a few digital instruments.
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Part one of an odyssey from Earth to the beyond. The episode starts with a pre-launch check, liftoff, the melody of space flight, and continues with the sounds you thought you left behind, or are they memories, maybe you just need more vitamin B….what is it like to dream in space… does weightlessness effect the unconscious mind… No Praeterita! Ad Posterum! Ad Astra!
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A new composition for headphones featuring a field recording near the end of the Kitchen Mesa trail (Ghost Ranch, NM), slow midi-controlled tones, and percussive sounds made with an small Amazon box.
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Episode 125 is a new sound collage featuring Gregory Peck, Richard Feynman, a manipulated recording of mowing the grass with a hand mower, a binaural recording of the Hillcrest Farmers Market (San Diego) and the scientific method. Continue reading
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This week on the podcast, the sounds and feelings of driving and driving and driving and driving and driving and driving and driving, while the mind wanders.
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A slow circular conversation that occasionally paraphrases Shakespeare and Chekhov, to create a lamentation to work, aging and trying to talk to those around you. Featuring a binaural recording of a walk in Long Island City, Queens, and a quintet of midi-based instruments.
Is it a metal block, a helicopter overhead, the ocean flows in our veins, a single leaf without context, the hushed sounds of people talking, time travel is real, I am standing beside you, who are you? You breathe in, you breathe out, a long slow tone.
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A new composition for headphones featuring field and foley recordings, counting and computer-based polyphonic synthesization.
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My thoughts aim west, combining a field recording made on the Los Angles Public Transportation’s Expo Line, with a new composition for computer generated piano, and small midi instrument ensemble. For download, here is the score for part one of the composition.
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