A new sound collage featuring the beginnings of the Iraq war, existential-phenomenological foundations for a science of persons, with tuba, xylophone, clarinet, flute, pulsing feedback, and a field recording of the French countryside recorded in the summer of 2003.

. As part of its inaugural season of the Idaho Street Workshop, the podcast will be releasing parallel projects for each episode. This episode was supposed to be released on Tuesday, but I forgot.

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