A new composition featuring a software orchestra, computer-controlled synthesizers, and processed field recordings. The piece fully embraces traditional scoring techniques, tonality, and meter. Sonically the midi-controlled flutes, English horn, violin etc. are paired with FM synthesis to create the instrumentation. This joins and coordinates the electronic and orchestral sounds (even though they are both manifestations of software).  When composing I was thinking about the pace and regularity of the workday. The repetition of the musical themes with only slight variations; the strong half-note cascades; the low grumble of a time-stretched boat motor: all become stand-ins for the physical and temporal aspects of work. In many ways, A Durable Object is a followup to Towards and The Falls, approaching work from a durational aspect.

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